DeVuego

Nevertheless, I do encourage players to give it a go and stick with it. Mutropolis shows tons of promise and is undeniably funny and charming. Beautiful to look at with an interesting story and likeable characters, point-and-click fans will find lots to enjoy here. It’s a strong debut from Pirita Studios, a definite step in the right direction and hopefully a sign of good things to come.

But face defeat, and you can always start again. And in HyperParasite, I found myself compelled to do so more than other rogue-lites I’ve played recently. While its heavy reliance on unlocks may put off the more hardcore rogue fans, it gradually makes the game more beatable over time. And that’s all the hope I needed: next time, maybe next time, I can win.

Even if SuperEpic isn’t the most coherent game, the whole package still works well. With so many different challenges, puzzles and secrets to discover, it’s a worthy evolution of the Metroidvania formula. Using your smartphone is a clever addition, provided you want to use it, while the exploration and combat feels fluid and responsive to where you’re itching to see what awaits you in the next room.

Arise: A Simple Story is one of the stronger ‘Journey-like’ experiences I’ve played. Its awe-inspiring levels that morph with the flow of time are only hampered slightly by a few design problems. What’s more, the titular ‘simple story’ is heartfelt and elegantly told. Minor frustrations aside, this is a lovely little tale that’s easy to recommend.

Fans of the graphic novels may very well be able to stomach the flaws in Blacksad: Under The Skin, but I worry curious newcomers will find the experiential cost of entry too much to stomach. 

While the puzzles make up a big part of the game, it is the terrifying side of Song of Horror that makes it stand out. Playing just before bed wasn’t my greatest idea, and everyday things like putting the bins out at night aren’t as straightforward as they were last week.

So, in the end, it’s easy to say if Blasphemous will appeal. Players who love intentionally difficult games will find a lot of value and horror fans who can muscle through will love the game’s visual and thematic design. Unfortunately, the game takes its masochistic themes of martyrdom too seriously, making the player feel like they’ve stepped into the retro gaming equivalent of a back alley S&M club they mistakenly took for an 80s video arcade.

While it remains to be seen if it will survive a player lull, and whether new players from all walks of life will be comfortable diving into a level editor that, while packed with features, doesn’t know how to explain those possibilities, as it stands today, Million To One Hero is a solid time sink to get those creative juices flowing.

And yet I’m worried Etherborn won’t stay in my thoughts for as long as Baxter’s words have. Try as it might to nestle its way into the recesses of my mind, Etherborn may end up being a fleeting memory – a pleasant experience but one which will hang on the forefront of your mind, only to be quickly scuppered by something with a bit more of body.