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​Gothic 1 Remake is a special title. It bottles all the magic of the original game and has managed to tinker with it enough to keep it authentic but accessible to an entirely new fanbase. It’s still rough as all hell, but this only helps make it captivating. And in a world of gaming where stories are often told through cutscenes, the Gothic Remake makes you tell your own story through its actions, setting, and sense of challenge and immersion. It might be a bit more on the niche side thanks to its rough parts and difficulty, but for you masochists and immersion seekers, Gothic 1 Remake is going to take you right into the Prison Colony, beat you up, steal your ore, and by the Sleeper, you are going to thank it and go back for more!

2D Ninja Gaiden is back, and it’s easily the best it’s ever been. Ninja Gaiden: Ragebound is a statement of love for what feels like the whole series, made by people who’ve clearly loved it for a long time. Gameplay feels smooth, impactful, and fast-paced while also keeping to the high skill ceiling that’s always defined it. I can see myself playing it for a long time simply because I’ve yet to get the coveted S++ Ranks on all stages, and it’s always fun enough that the grind itself is enjoyable. Combine this with a silky smooth aesthetic and one of my favorite soundtracks of 2025, and you’ve got a game that I am confident is the best platformer of the year

Blasphemous II would have always had big shoes to fill. It would always have to have been ambitious. When I think back to the 20+ hours I’ve already spent in this game, I can wholeheartedly say the successor to Blasphemous is bigger than the boots it needed to fill. The ambition, rather than stifling the developers, has led them to produce a game of such exquisite quality that it is easily one of the best games of 2023.

Aside from its impressive hand-drawn animation, Curse of the Sea Rats is at its best a mediocre game that does little to stand out from the innumerable alternatives. At its worst, it’s tedious, grating, and unfun. Maybe if you love traditional animation and rats you’ll find something to enjoy here, but I’d wait for a discount before considering Curse of the Sea Rats.

The simple things here are just okay, though they’re fairly standard. On the whole, and whilst I can’t quite put my finger on it, something feels stale with Aeterna Noctis — “Limp” even. What makes metroidvania’s so fun is not merely the challenge but the pace, reward, and sense of impact your upgrades give you. Unfortunately, somewhere along the way, Aeterna Noctis tipped the scales heavily in favor of repetitive challenge that rarely feels rewarding to overcome.

Metroid Dread is one of the finest games to release this year. It not only encapsulates everything that makes Metroid, Metroid, but it does so in a way that feels new and fresh. Dread stands on its own two feet and demands to be played. The genre has been missing its namesake for far too long now, so I am happy to say that Dread is a worthy crown-bearer. I hope to see more from Samus, Nintendo, and Mercury Stream in the future.