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Your House is a short game, clocking in at about three hours to beat it all in one go, and with five clearly separated chapters if you want to play in small bursts, but because of that, you notice the time to take walking back and forth in tunnels, not being able to take the turns you want to take but having to guess or remember the entire layout and each room's name. This, combined with puzzles that seem to solve themselves and the strained narrative, drag down any enjoyment the individual problem solving might have granted. Your House is a good facsimile of an escape room, but the flaws only become more apparent in the digital realm.

And that’s the crux of The Spirit of the Samurai: it is a gorgeous game, with an excellent sense of atmosphere, and decidedly troubled gameplay. At its best, it plays like a classic rotoscoped platformer, which can feel charming in its own right, but at its worst, it is cumbersome and awkward. This Samurai most certainly has spirit, but his sword could use a little sharpening.

Since the game is so short, I still think it’s worth a try. When the game succeeds, it glows, and gameplay feels seamless and interesting. You might bang your head against it a little, but the solutions are always common sense and it feels incredible to work through something on your own. Just be warned that you probably won’t find the game’s ending particularly satisfying, but if you can look past that, One Last Breath does have something to offer.

The Fabulous Fear Machine is a metaphor, but not really. The propaganda machine that shapes society is very real, and it's used to tell us what to believe, what to buy, who to hate, and how to behave, all to benefit and enrich those of us who deserve it the least. The titular Fear Machine is based in power dynamics, class consciousness, and the susceptibility of society at large, but after playing, I’m not sure if Fictiorama Studios understood how its own machine actually works.

The Cosmic Wheel Sisterhood shows us what women can be when they are free to be who they are, liberated from arbitrary restrictions on their lives. It is a feminist, progressive, intersectional game, one that celebrates women in every form. It made me feel connected to the world around me, and that’s a huge accomplishment.

I enjoyed my time with Blasphemous 2. I’ve unlocked both endings, scoured and pillaged the entire map, and completed every quest I could find, and, where I found the first game severely wanting in the fun factor, the sequel delivered in spades. Despite this, it’s held back by simplistic quests and bosses so unfair as to taint the whole experience. At certain points, thematic suffering bleeds through the cracks in the fourth wall and becomes part of the gameplay.

Finn was pretty excited when I told him we had a Peppa Pig game to play, and then even more so as it was loading for the first time. When he asked me why we had it, I told him it was so we could play it to figure out if other children might like it too. He then informed me, before even pressing a button, that it was a good game. Having now actually played the game, I can confirm his opinion hasn't changed and it will definitely be something we continue to play together moving forward, especially since we still have a few more locations to check off Peppa's list.

Delete After Reading is short but sweet and plays around with some interesting ideas in terms of how interactive an interactive fiction experience can be. While the puzzles aren’t anything groundbreaking, the way they’re presented keeps things feeling very fresh. Overall, the game is a fun time, the perfect way to introduce a kiddo to adventure games or waste away an afternoon trying something new.

Gigantosaurus The Game doesn’t bring anything new to the table in terms of its overall gameplay, but it doesn’t need to. With its open-world levels, easy platforming mechanics, and fun kart racing mode, Gigantosaurus The Game successfully adapts the world of Disney Junior’s Gigantosaurus into video game form with plenty of content and fun to be had by younger players, as well as their parents.