DeVuego

Call of the Elder Gods is a successful sequel, particularly when judged on the strength of its world-building, the quality of its puzzles and the solidity of its authorial identity. It isn’t perfect: the attempt to expand on the formula established in Call of the Sea results in a slight loss of cohesion, the overall impact may feel a little less immediate than its predecessor, and the narrative – though equally compelling – ultimately culminates in a disappointing and forgettable twist. Nevertheless, the game excels in other areas, thanks to the richness of its environments (which help recreate that Indiana Jones atmosphere), a gradual and well-balanced difficulty curve that sees the puzzles become progressively more complex, and a pair of likeable protagonists. The overall impression is, ultimately, that of a first-class adventure that is absolutely worth experiencing, and thanks to a generous hint system, Call of the Elder Gods is a game that everyone will be able to enjoy.

Luto is one of the most ambitious indie debuts of 2025. It is not a conventional horror game, but rather a silent and oppressive exploration of the suffering mind. If you're looking for immediate thrills or dynamic gameplay, this probably isn't for you: Luto isn't designed for those seeking classic or adrenaline-fueled interaction, but for those who want a dense and intimate experience. The game asks you (almost forces you) to slow down, observe, interpret, and, above all, feel. It may not satisfy players who love complex systems or constant action, but it is extremely effective in engaging the player on an emotional and sensory level. If you are willing to immerse yourself in a reflective, disturbing, and deeply human experience, Luto is a journey that will undoubtedly leave its mark on you.

Blades of Fire left us with mixed impressions and feelings. On the one hand, MercurySteam's title offers a deep and immersive experience thanks to its unique forging system, mature storytelling with engaging characters, gorgeous and immersive environments, and an aesthetic reminiscent of past IPs such as Fable and Brütal Legend, all accompanied by an incredibly evocative soundtrack; on the other it has some obvious limitations, such as an upwardly calibrated learning curve, less-than-stellar weapon management, a combat system with great potential but that ends up being too erratic, flawed and repetitive, and unclear objectives. In short, a little additional work, would surely have benefited the production; as it stands, Blades of Fire is a good game and nothing more!