DeVuego

It’s an effective moment in an otherwise pretty, though understated, adventure. Not every game needs to innovate, but considering that Neva is specifically about evolution, I found myself waiting for it to switch gears up through its abrupt ending. Like my pup early in our journey, Nomada Studio still feels like it’s growing as a developer. I can see its potential to create beautiful, heartfelt stories in both this and Gris, but it’s yet to really take a leap and find its voice when it comes to interactivity. But if Neva has taught me anything, it’s that growth doesn’t happen all at once. It’s a slow process that happens naturally. An uncertain whimper from the edge of a cliff can become a brave leap; it just takes a little time and encouragement.

American Arcadia turns The Truman Show into an interactive indie thriller you don't want to miss.

It’s that consistent friction that’ll make Blasphemous 2 a hard sell for those who don’t already worship at the church of Castlevania. It’s a series of mountains to be climbed, with jagged handholds that’ll often send players tumbling back down to the bottom. At times, it can be demoralizing — or worse — a little boring. There’s always something beyond that peak, though, so long as you’re devoted enough to endure the climb, bloodied palms and all. Have faith that it’s worth the pain and you’ll always find the light on the other side, even if the deadly rewards you find earn you a first-class ticket to Hell.

Metroid Dread is the exact jolt of energy the Metroid series needed. What’s 19 years old feels new again thanks to sharp gameplay additions that enhance both battles and exploration. It especially excels in its atmosphere and storytelling, creating an Alien-esque sci-fi horror story that takes the franchise’s space opera to eerie new heights. The queen is back to remind us who puts the Metroid in Metroidvania.