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Denshattack is one of the fiercest, fastest, and most lovable games I’ve played in quite some time.

If you are looking for an interactive story-based cozy game, this is a rad choice. However, don’t expect much more from Wax Heads than a well-executed moral stand against an increasingly AI-loving, money-grabbing and overly-polished world of entertainment.

It’s easily one of the best games in the series, and Ninja Gaiden 4 (as well as Shinobi: Art of Vengeance) is going to have a hell of a challenge surpassing it.

Despite its combat and platforming only being serviceable and the overall package needing a bit more polish, Mutants Unleashed still managed to be a turtle surprise because of how much love and understanding it has for the source material. It may not reach the same gameplay heights of Shredder’s Revenge or Splintered Fate, but it has one of the best tales to tell of any TMNT game.

This is the kind of indie game that I would love to see succeed, and the next steps post-launch, both in terms of ongoing development and community support, will be crucial in determining whether it’s remembered as a Justinian or an Honorius.

Neva is one of the most beautiful games I’ve ever played, from the watercolour art style to the clever direction. But it surprised me in its mechanical complexity and combat execution; you always need to keep your fingers fast and mind faster. Add a lifelong vulpine companion to the mix, and you’ve got an all-timer on your hands.

Even if it were left as it is, Bluey: The Videogame is a step above every other game built with children playing their very first video game that I’ve played with my son to date. The Peppa Pig games are great, the Paw Patrol ones are okay, but much like when you compare the shows, what Bluey has to offer on the video game front is comfortably superior. The show is for adults and kids alike, but the short runtime and minor bugs mean the game is far more catered to the little ones - but as one of the best of its kind, it’s pretty wackadoo.

The gameplay is nothing special, and it isn't particularly trying to be. It exists as a framework to tell a story, and plenty of games have excelled with that mindset. But all it has to say is that pollution is bad and it's all your fault. It doesn't inspire change, it doesn't shock, it doesn't even highlight the plight of the animals we share this world with, becoming too wrapped up in casual visual metaphor than with showcasing the harsh reality of what we have done to this world. The bees are dying, but so is my patience.

Riot Forge has an incredible track record of matching studios with the right project, and this is the best example yet. It is such a strong execution of an idea that it ultimately suffers for being underscoped. Had The Mageseeker had the full force of Riot behind it I can easily see it being a game of the year contender, but it feels like the publisher isn’t ready to go all-in on these outside projects yet. I don’t think Sylas’ story should end here, and I’m excited to see what Digital Sun does with the world of Runeterra next.

It feels weird to call Endling - Extinction is Forever’s brutal tale enjoyable, but it was. The unique survival gameplay from the perspective of a family of foxes combined with the dark themes and storyline is a captivating mix. Though the gameplay can sometimes get repetitive, and it would have been nice to have a broader range of random events to experience, it’s still one of the more interesting games I’ve played recently. Keep a box of tissues nearby, though, as it’ll punch you right in the heart.