DeVuego ES_COR

Worldless is a captivating 2D platformer with a cosmic aesthetic and seamlessly integrated turn-based battles. Traverse spaces, confront challenging combat, and navigate platforms, all while embracing the joy of exploration. The game’s inbuilt difficulty helps create huge satisfaction once you master the combat and the minimalist design brings a harmonious gaming experience, even if it’s to the sacrifice of detailed guidance. The game won’t be everyone’s cup of tea, though, at its core, Worldless still delivers a thoughtful, consistent, immersive, and enjoyable experience.

In spite of various problems found within Tenebris Pictura, the game still leaves a fairly positive impression by the end. Some of it doesn’t quite work, from its very downplayed narrative to its slightly-annoying combat, but it brings enough novel content to the table to be engaging. If you’re into atmospheric adventure games with clever puzzles and unique ideas, you’re likely to find something rewarding in Tenebris Pictura.

Deconstructeam has created its best game yet with The Cosmic Wheel Sisterhood, further cementing itself as one of Devolver Digital’s strongest studios. Every complex theme in the narrative, whether that’s mental health, isolation, trans or human rights, is handled with grace and written so beautifully it feels like prose on screen in front of you. Magnificent and captivating too is the pixel art and animation, distinguishing each witch and highlighting charming quirks. Never have I played a game so personal and handcrafted for me and never have I felt so fostered and supported in creativity and my livelihood through the simple magical medium of a video game. Becoming my own witch, crafting away at some cards, and settling in for some comfy vibes is something special. Something special that has to be experienced. Your must-play video games of 2023 aren’t blockbuster hits. They’re titles like this, needing to be seen to be believed and never done before.

Blasphemous 2 is a truly stand-out Metroidvania that is an easy recommendation for fans of the original and newcomers alike. From its detailed and fluid animations to its wide assortment of gameplay improvements, Blasphemous 2 is everything a sequel to the already-strong Blasphemous should be. Although it isn’t as consistently challenging as its formidable art direction and clear Soulslike influence would suggest, the core experience of Blasphemous 2 is still something fans of 2D platformers and Metroidvania exploration are sure to greatly appreciate.

A chilling fever dream of dystopian hope, After Us takes the mechanics of an atmospheric puzzle-platformer and uses them to create a beautifully unsettling experience that feels a little too real. Its satisfying traversal challenges through gorgeously rendered wastelands provide plenty of engaging gameplay moments for platforming fans, though its relentlessly oppressive environments may prove too harsh for some. Haunting and immersive, but definitely not for the faint of heart.

Curse of the Sea Rats is a competent 2.5D Metroidvania that offers an absolutely delightful style. The story and gameplay are basic at best, with design oversights and shallow combat that unfortunately drive this simple narrative. Still, the small package comes with a fun four-player coop that complements the classic cartoon animation and critters throughout the journey. This platformer won’t rattle the scene, but it’s a great game for families to play.

Temtem isn’t just a copycat Pokémon. Incorporating MMO elements and engaging characters into fan-favourite gameplay is an overwhelming success, with an abundance of addicting endgame content. Unfortunately, Temtem suffers from optimisation issues and needs to present its most captivating features at the forefront rather than behind the MMO grind and a slow main story. I can’t deny how much fun it is to play Temtem, it just needs more time and polish to be the best there ever was.

Remakes of true classics are usually cause for some concern, particularly a game that’s almost 35 years old, but this is so much more than just an old game with a new skin. Alex Kidd in Miracle World DX balances perfectly the updates an old game needs whilst still staying true to what made the original such a landmark title. The quirks of the gameplay are all still there, controlling just like the original, although with little tweaks that make the experience even better. The new levels fit so well, it’s pretty, and it sounds good to boot.

 really wanted to like HyperParasite more than I did. The campy 80’s aesthetic and gratuitous cartoony violence is right up my alley. However, even a roguelike needs to have a good sense of progression. Having it be so much of a slog to unlock forms to possess in a game all about possessing enemy forms feels counter-productive to HyperParasite’s main gameplay gimmick.

I still think I would recommend HyperParasite to a fan of roguelikes or twin-stick shooters, especially if you have a friend. With that said, be prepared for an uphill battle to make progress, and get very used to the Downtown level and its first boss. The high level of difficulty skirts the line of being frustrating more often than I would prefer. There are certainly worse roguelike shooters on the market, but HyperParasite still needs some polish.