Studied programming and jumped into the industry after being influenced by DOOM in 1993. Although his background was in programming, he joined his first development team as a musician and sound editor, gradually taking on more technical roles.
His first game shipped in 1995. He left the industry after the 2001 crisis and returned in 2014.
In this second stage he worked in outsourcing, rapid prototyping and technical design, before moving into Technical Art. He led VR serious games teams, and later served as Technical Art Director at Flying Wild Hog, under Embracer, on Shadow Warrior 3 and Evil West. He also worked on Tomb Raider with Crystal Dynamics. He is currently Head of Technical Art at GSC Game World.
As a developer his most common role is Composer. He has participated in three spanish video games, being some of the most important Delvion: Star Interceptor (Digital Dreams Multimedia, 1995), where he has been Composer. Also took part in other video games like Future Racers (Newsoft Multimedia, 2002), where he took part as Composer, and Alfred Pelrock: En Busca de un Sueño (Digital Dreams Multimedia, 1996), where also he took part as Composer. Besides, he took part in five video games developeds outside Spain, Tomb Raider: Legacy of Atlantis (Crystal Dynamics, 2027), where he was Technical Art Director, y S.T.A.L.K.E.R. 2: Cost of Hope (GSC GAME WORLD, 2026), where he was Head of Technical Art.
This biography has been automatically generated by DeVuego from the information stored in its database, so it may be incomplete.
| 2027 | Tomb Raider: Legacy of Atlantis | Crystal Dynamics | Programador |
| 2026 | S.T.A.L.K.E.R. 2: Cost of Hope | GSC GAME WORLD | Programador |
| 2024 | S.T.A.L.K.E.R. 2: Heart of Chornobyl | GSC GAME WORLD | Programador |
| 2022 | Evil West | Flying Wild Hog | Programador |
| 2022 | Shadow Warrior 3 | Flying Wild Hog | Programador |