DeVuego

Medieval swordplay plays a big role in Blades of Fire, where combat is the strongest part of the game.

Luto works on the border between psychological horror and puzzle game. Unfortunately, the latter part doesn't always work and breaks the rhythm of the game. In addition, the plot, which verges on surreal, does not hold up until the end. Otherwise, the horror from the Spanish studio offers a great atmosphere, absurd events and a dark work of mourning.

Patrones & Escondites' Your House stumbles in the most important thing, the puzzles. You are too often left feeling frustrated when you spend too much time on a particular puzzle. However, as a concept, it is interesting and in some ways also unique, which is supported by the clever audiovisual design.

Like a mix between Hayao Miyazaki and great French comic books, Neva is a breathtaking and heartbreaking adventure that stays with you long after it ends.

Incredible art direction and a fantastic atmosphere keep Blasphemous 2 interesting, even when the frustrating difficulty spikes do their best to make the game too frustrating to be any fun.

Call of the Sea is a beautifully written, short but gripping first-person adventure set in the 1930s South Pacific. You play as Norah, searching for her missing husband and answers to a mysterious family illness. With great voice acting, lush visuals, and clever yet accessible puzzles, it’s a Lovecraft-inspired mystery—without the horror. Though brief, it delivers a dramatic, emotional story that surprises and satisfies. A hidden gem for fans of narrative-driven games.