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These negatives are outweighed by the sheer beauty of the title thanks to the incredible use of colour, as well as a relaxing, whimsical soundtrack and sound design. Taken as a whole, Naiad is a title with incredible art and sound as well as something to say, even if the gameplay isn’t always firing on that same level.

The combat in Gylt is a weak link. Luckily, a robust stealth system makes it easy to avoid fighting altogether. And it’s worth it because, easy though it may be, combat is tedious. You have to shine your flashlight on weak spots to kill enemies, but between the aim assist and the fact baddies don’t often present their weak spots well, you're better off skipping combat when you have the chance. You won’t be stressed for resources if you destroy every enemy you encounter, but your time will be better spent elsewhere, like tracking down the engaging collectibles that greatly expand upon the world.

Ultimately, the issues that arise aren’t enough to quash the immense level of fun or the mastery of design on display. Red Matter 2 is a PSVR2 must-play.

With lofty ambitions and some great elements, After Us lets itself down in as many ways as it triumphs. Gorgeous art direction and an admirable anti-pollution message aren't enough to make up for tedious combat, performance issues, and open-ended level design that plays things a little too loose. If you're itching for an experience like this, there are better options out there, at the very least until After Us' performance issues are addressed. There's the core of an incredible experience here, but it's just not ready yet.