DeVuego BD - Base de Datos del Videojuego Español

Blasphemous 2 is built on the back of the insanely funded Kickstarter success of the first game, with improved visuals, an even more cohesive art style that still evokes Francisco Goya and Spanish history, more fluid animations, and an extra step up in the music and voice acting. It really is an improvement in every way, and does so without forgoing what made the introduction special. While intimate knowledge of the original entry is not required, it serves to enhance both the world of Blasphemous and the story of the Penitent One. Throw in The Game Kitchen's house-made documentary for good measure, and you've got an enthralling franchise of mystery, misery, and history, capped off by not only one of the best games of its genre, but a fine entry in all of gaming. Any shortcomings be damned, as its stellar elements do more than repent for them.

Blind Fate is a game of interesting ideas, both in setting and in gameplay. There is a sense that the developers held back in far too many areas for fear of overwhelming the player, and it’s detrimental at every step. Watching it in motion is pleasing enough, but rote gameplay and a completely unremarkable story really hamstrung a game that could have ended up being something special.

It is theoretically possible that some of the issues mentioned here could be addressed, in some capacity, by the developers, but the amount of overhauling required to fully fix this confused and stumbling mess of a game is likely far greater than the effort this team of developers will realistically commit to. In their enthusiasm to race to the finish line, they produced a game that crashed and burned at launch. One can only hope that the developers take a few notes as they survey this smouldering heap of a game.

Even though my friends had other things to do, Killsquad is the perfect 'dads' game. Each contract is only 15-30 minutes, which is the maximum amount of time you can leave your kid sitting on the toilet when they're waiting for you to wipe. So although I don't see myself spending a lot of time soloing in this game, I very much look forward to putting it on the big screen when my 'friends' come over, and I can imagine jumping online for a quick match every now and then for the foreseeable future.

In all, Sword of the Necromancer is a fun roguelite with a heartfelt story. The usage of the titular blade adds a whole new layer to the roguelite genre, in that gamers will need to strategize about what enemies to take out first in order to have them fight on their side. If the genre interests you but you need a good story to feel at all invested, then this game is for you.

For many turn based strategy titles it is the combat that keeps you engaged. The Great Whale Road has some really great writing but ultimately that is not enough to carry the game. The combat is so intensely unrewarding that this is one story I’d rather have read in paperback format.

Despite the immense annoyance at the decision to include hidden platforms as a requirement for progression, I loved Candle. Introducing point-and-click adventure game elements into platformers is sure to benefit both genres and as a point-and-click adventure geek, I have rarely enjoyed a platformer more than I did this one. It’s by no means perfect, but I can’t wait for the sequel. Please, Teku Studios, just make sure I can see where I’m going.

Overall, it is difficult to say who this game is intended for. Perhaps partly to those suffering from inescapable spells of ’80s nostalgia and whose best memories of that era consist of bad dialogue and ill-explained plots? Perhaps the local co-op option will make the game more enjoyable in the long run. For the lone player, the few redeeming qualities include the music and visuals.

So AR-K: The Great Escape is an interesting one. Despite its lackluster opening and questionable delivery, it manages to grow on you. Through a combination of simple gameplay mechanics and solid world buiding, the episode draws you into its story without you really noticing. By the time I reached the end of the episode I found myself actually invested in the characters and wanting to know where they were headed. If the remaining episodes continue where this one left off, then AR-K could really be a game to watch.

The slow, decaying end of the world coupled with a point and click adventure game should be a combination that could explore some very heavy emotional storylines. Dead Synchronicity does so quite well at first, delving into the tragic backstories of its characters and exploring a dystopian world that feels simultaneously alien and familiar while you wander through it. Those good first impressions eventually fall to the wayside however, as the game abandons plot threads on a dime and fails to create any form of logical progression in its puzzles. Which is a shame, because Dead Synchronicity has good ideas; they just don’t sync today.