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Mutropolis is definitely one of the better point and clicks I’ve played in recent memory, and was a pleasant surprise on every front presented. I genuinely enjoyed every moment I spent with it — even when stuck — because it was such a joy to look at and explore. There were a few times I got stuck, certainly, but nothing that kept me from progressing for too long. If you like point and click games with good puzzles, great depth, and an incredibly unique story with fun characters, your quest for Mutropolis ends here.

Yuppie Psycho Executive Edition may not be the scariest game you’ll play all year, but it’ll probably be one of the most scintillating stories of corporate culture gone rancid ever told. Of all the games I’ve played in 2020, this is the one that most deserves to be turned into a movie, and I would watch it repeatedly even though I’m a massive baby. Young James Spader should also be there, but I digress; Yuppie Psycho Executive Edition deserves to be experienced in any medium, and not picking this title up will haunt you for the rest of your gaming days. Think you got what it takes to kill the witch? Are you up to the job? Apply to Yuppie Psycho Executive Edition and find out if you’re Sintracorp material.

Despite the positives, issues with the camera and bugs made playing Solo frustrating. But I am hopeful Team Gotham will continue to support the development of the game post-launch.

Beekyr Reloaded is a fun shooter. It’s not going to blow you away with neat gimmicks or any sort of real innovation, but it’s perfectly competent and the insect theme is actually really refreshing. If you’re a shmup fan and you need to pad out your library, or you want to get into the genre and need a “gateway” title, Beekyr Reloaded could be just what you’re looking for. It’s especially fun if you can rope in a mate to join you in your shooting, or if you’re just looking to show off your scores. Either way, you need to shoot off to its official Steam page now if you intend on adding it to your must-play list.

Crossing Souls may not be the deepest adventure to release in recent years, but it’s got plenty of heart. From its pixel-perfect retro-style presentation and cartoon cutscenes to its pumping synthwave score, it’s a game that does a great job of capturing the spirit of the era it aims to replicate. It’s just a shame that the writing and pacing often feel at odds with the story the game is trying to tell. Because with a bit more polish, Crossing Souls could have been a modern classic. Despite these nagging issues, I still found myself glued to my controller for the entire experience.

Dynasty Feud is cool. It’s really cool. Jumping around and trying not to get hit by a guy with something resembling Cloud Strife’s sword, all while maneuvering and wall-jumping while trying to kill what appears to be a color-swapped Alphys from Undertale; yeah, I enjoyed myself. There’s great diversity in its cast of fighters, and the main idea it introduces to the “Smashspace” (screw it, I’m on a roll with these today) pulls through beautifully. There’s a learning curve, and not an easy one, either. Once you’ve mastered that, though, you’ve got a game that stands right up there with the best of the neo-king-of-the-hills out there. The servers could use some work, and it would be nice if all the modes could be played wherever, but what’s here is five whole generations of fun.

Not being a fan of either genre myself, I cannot in good conscience recommend this game. That being said, I know there are many people out there that would love this title very much. However, where games like Bloodborne and the Dark Souls series have brilliant gameplay that make up for their harsh mechanics, Nongünz it seems tries to be that and misses the mark.

I love Bloody Days. I think it would be better under a different name, as fans of the film expecting anything close to Reservoir Dogs will find themselves sorely disappointed and unable to judge the game on its own merits, but I still love it. I love its jazzy, guitar-heavy soundtrack. I love the style and polish that went into everything from its character models to its UI to its menus, even if that style is nothing like the film its supposedly based on. I love its fast-paced action and its slow, deliberate turn-based strategy. And while the writers certainly aren’t Tarantino, I even like the dumb little dialogue interactions the characters have throughout the missions.

But even as it stands, The Crow’s Eye is still an absolutely enchanting game. The fact that a bug that serious could exist and only slightly hamper my enjoyment of the game should be testament enough to that. If you’re a fan of first-person puzzle games and have been disappointed by the lack of true genre gems in recent years, then The Crow’s Eye is for you.

I’ve included a lot more “in my opinions” and “for me personallys” in this review because a lot of this stuff is subjective.  Maybe the story will work for you in ways it didn’t for me.  Maybe you’ll find the puzzles a lot easier and more obvious.  But I was rooting for this game, and for me it was barely-stay-awake boring.  Even if you’re still interested, don’t spend thirty bucks on Yesterday Origins.  It’s much better suited to some kind of Steam sale.